So we took an 8K project filmed on the Sony a1, compiled it into two identical 4K timelines with identical effects, scoured the settings to ensure everything was as similar as reasonably possible, and then ran both of these video editors through the same battery of tests. Pure performance, on the other hand, is measurable. How quickly you can edit a video from start to finish in either Premiere Pro or Final Cut is largely a matter of personal preference and familiarity with each application's quirks. Tests | Computers | Results | Key takeaways | Final thoughts But for all the head-to-head editing shootouts and 'why I switched' anecdotes from disgruntled Adobe and/or Apple users, what matters in the end is raw performance. They both have 'Pro' in the name, so according to Apple nomenclature rules they should both be excellent. But among video editors, especially the ones on YouTube, one scuffle comes up more than any other: Apple Final Cut Pro or Adobe Premiere Pro? Crunchy peanut butter or smooth? (Smooth). Let's just say there's adjustment to all four of these pucks.There are some debates that stand the test of time. If I make any adjustment here in the exposure. If I select this other puck and press Delete, it'll also bring it back to square one. One thing that we want to keep in mind specifically if we ever need to adjust one of these pucks is to select it, simply press Delete, will bring it back to square one. I'm going to press C to select this clip, press Command + six to go to the color inspector, and here I've made an adjustment in my color board. So I'm here in my Chapter 1.9 project which I double clicked to open in the timeline, and we're going to explore turning on and off effects. In this movie, we're going to take a look at extremely useful ways to reset and see our original clips. As we apply corrections to our image, we may decide that we don't like what we did or need to reset particular settings to start from scratch.
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